Episode Synopsis "“Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm"

“Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Afro-Cuban Salsa Sampler", Apple iOS App. https://itunes.apple.com/us/app/afro-cuban-salsa-sampler/id1367015786?mt=8

Listen "“Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm"

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• “Cemento, Ladrillo y Arena” – 4 choruses of a user-defined form (as 8|16/8 bars) with an 8-bar intro’ and no ending, using a Son Montuno 32 rhythm at 170 bpm
• “Yo no Quiero Piedra en me Camino” – 6 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm
• “Song For Maura” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with an 8-bar intro’ and a 4-bar ending, using a Mambo rhythm at 150 bpm
• “Mambo Inn” – 3 choruses of 32-bar AABA (as 8|8/8|8 bars) with an 8-bar intro’ and no ending, using a Mambo Latin Jazz rhythm at 190 bpm
• “El Jamaiquino” – 3 choruses of 24-bar AAB form (as 8|8/8 bars) with an 8-bar intro’ and no ending, using a Guaracha 32 rhythm at 180 bpm
• “Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm
• “Samba For Carmen” – 2 choruses of a user-defined form (as 16|16|8 bars) with an 8-bar intro’ and a 6-bar ending, using a Samba rhythm with both drums and percussion at 190 bpm
• “El Bodeguero” – 3 choruses of 32-bar A1A2 form (as 16|16 bars) with a 4-bar intro’ and an 8-bar ending, using a Cuban Mozambique rhythm at 118 bpm
• “Longina” – 2 choruses of a user-defined form (as 4|13|20 bars) with a 4-bar intro’ and no ending, using a modern slow Merengue rhythm at 112 bpm
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• “El Guararey de Pastora” – 2 choruses of a user-defined form (as 8|8/10/10 bars) with no intro and an 8-bar ending, using a Songo rhythm at 210 bpm
• “Pare Cochero” – 2 choruses of a user-defined form (as 8|10|8|10/4/4 bars) with no intro’ or ending sections, using a Cha Cha Cha rhythm at 120 bpm
• “Calculadoro” – 2 choruses of a user-defined form (as 20|8/8 bars) with no intro’ or ending sections, using a Cha Cha Cha Latin Jazz rhythm at 135 bpm
• “El arroyo que murmura” – 2 choruses of a user-defined form (as 12|12|6 bars) with no ntro’ or ending sections, using a folk Afro-Cuban 6/8 rhythm at 114 bpm
• “Chucho” – 3 choruses of 24-bar A1A2 form (as 12|12) with a 2-bar intro’ and a 4-bar ending, using a Mambo Latin Jazz rhythm at 190 bpm
• “Guarina” – 3 choruses of 40-bar A1A2 form (as 20|20 bars) with a 2-bar intro’ and no ending, using a modern Afro-Cuban 6/8 rhythm at 114 bpm
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• You Never Can Tell - Rock Shuffle at 135 bpm
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• "Dearly Beloved" - 5 choruses of a 32-bar form of "8|8|8|8" with an 8-bar ending using an older jazz 146 bpm rhythm Song Rhythm Track
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• "Black Orpheus" - 4 choruses of 32-bar A1A2 form with a 4-bar ending using a sophisticated Bossa rhythm at 120 bpm Song Rhythm Track
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• "On Green Dolphin Street" - 12-bar Intro, followed by 3 choruses of a 32-bar "Green Dolphin Street" form (8/8|8/8), followed by an 8-bar ending with a Bossa-then-swing rhythm at 145 b.p.m.
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• Mad Jane trying out Fly Me To The Moon