Episode Synopsis "Mad Jane messing with messy Autumn Leaves"

Mad Jane messing around with Autumn Leaves supported by Alive Drumming's Song Rhythm Tracks

Listen "Mad Jane messing with messy Autumn Leaves"

More episodes of the podcast Get Better Rhythm in Modern Music

• “Cemento, Ladrillo y Arena” – 4 choruses of a user-defined form (as 8|16/8 bars) with an 8-bar intro’ and no ending, using a Son Montuno 32 rhythm at 170 bpm
• “Yo no Quiero Piedra en me Camino” – 6 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm
• “Song For Maura” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with an 8-bar intro’ and a 4-bar ending, using a Mambo rhythm at 150 bpm
• “Mambo Inn” – 3 choruses of 32-bar AABA (as 8|8/8|8 bars) with an 8-bar intro’ and no ending, using a Mambo Latin Jazz rhythm at 190 bpm
• “El Jamaiquino” – 3 choruses of 24-bar AAB form (as 8|8/8 bars) with an 8-bar intro’ and no ending, using a Guaracha 32 rhythm at 180 bpm
• “Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm
• “Samba For Carmen” – 2 choruses of a user-defined form (as 16|16|8 bars) with an 8-bar intro’ and a 6-bar ending, using a Samba rhythm with both drums and percussion at 190 bpm
• “El Bodeguero” – 3 choruses of 32-bar A1A2 form (as 16|16 bars) with a 4-bar intro’ and an 8-bar ending, using a Cuban Mozambique rhythm at 118 bpm
• “Longina” – 2 choruses of a user-defined form (as 4|13|20 bars) with a 4-bar intro’ and no ending, using a modern slow Merengue rhythm at 112 bpm
• “Lamento Esclavo” – A single choruses of 32-bar A1A2 (as 16|16) with a 4-bar intro’ and a 2-bar ending, using a Tango rhythm at 120 bpm
• “El Guararey de Pastora” – 2 choruses of a user-defined form (as 8|8/10/10 bars) with no intro and an 8-bar ending, using a Songo rhythm at 210 bpm
• “Pare Cochero” – 2 choruses of a user-defined form (as 8|10|8|10/4/4 bars) with no intro’ or ending sections, using a Cha Cha Cha rhythm at 120 bpm
• “Calculadoro” – 2 choruses of a user-defined form (as 20|8/8 bars) with no intro’ or ending sections, using a Cha Cha Cha Latin Jazz rhythm at 135 bpm
• “El arroyo que murmura” – 2 choruses of a user-defined form (as 12|12|6 bars) with no ntro’ or ending sections, using a folk Afro-Cuban 6/8 rhythm at 114 bpm
• “Chucho” – 3 choruses of 24-bar A1A2 form (as 12|12) with a 2-bar intro’ and a 4-bar ending, using a Mambo Latin Jazz rhythm at 190 bpm
• “Guarina” – 3 choruses of 40-bar A1A2 form (as 20|20 bars) with a 2-bar intro’ and no ending, using a modern Afro-Cuban 6/8 rhythm at 114 bpm
• “Me recordaras” – 2 choruses of a 32-bar AABA form (as 8|8/8|8 bars) with a 2-bar intro’ and no ending, using a Songo rhythm at 210 bpm
• “Maria Cristina” – 3 choruses of a user-defined form (as 18|18/8/8 bars ) with a 2-bar intro’ and no ending, using a Son Medium rhythm at 140 bpm
• “La Enganadora” – A single chorus of a user-defined form (as 16|10|7 bars) with a 2-bar intro’ and no ending, using a New York Mozambique rhythm at 118 bpm
• “El que Siembra su maiz” – A single chorus of a user-defined form (as 20|20/8|13/8|13/8|13 bars) with no intro’ or ending sections, using a Son Montuno 32 rhythm at 170 bpm
• “La Gloria eres tu” – A single chorus of a user-defined form (as 4|8|8|8|12 bars) with no intro’ or ending sections and using a Bolero rhythm at 105 bpm
• “Mujer ardiente” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with a 16-bar intro’ and no ending, using a very sparse Gypsy Latin rhythm at 110 bpm
• Leaving On A Jet Plane - A Nashville Pop ballad groove at 65 bpm
• Raining In My Heart - A Nashville Pop ballad groove at 85 bpm
• Oh, Lonesome Me - A TexMex Country even 8th rhythm at 100 bpm
• Blanket On The Ground - A Country even 8th rhythm at 100 bpm
• Why You Been Gone So Long - a Country Swing rhythm at 145 bpm
• You've Still Got A Place In My Heart - Nashville Pop Ballad at 65 bpm
• Somebody Else On Your Mind - a Nashville Hillbilly swing at 120 bpm
• Cripple Creek - An Easy Bluegrass rhythm at 100 bpm
• Leaving On A Jet Plane - A Nashville Pop Ballad at 65 bpm
• You Never Can Tell - Rock Shuffle at 135 bpm
• One Day At A Time - A Country Waltz rhythm at 55 bpm
• Miss The Mississippi And You - A Classic Nashville swing waltz at 85 bpm
• Bye Bye Love - An Nashville Outlaw rhythm at 160 bpm
• Blue Bayou - A light LA Pop Jazz rhythm at 118 bpm
• Are You Sincere - A Jazz brushes rhythm at 45 bpm
• Love Hurts - Country Even 8th rhythm at 75 bpm
• Cottonfields - Nashville Country Skip rhythm at 140 bpm
• All I Have To Do Is Dream - Nashville Country Pop Ballad at 85 bpm -
• Wake Up Little Susie - Nashville Country 2-Beat swinging 8th at 80 bpm -
• "I Love Paris" - 8-bar intro, 3 choruses of "16|16/16" with an 8-bar ending using a Cha Cha rhythm at 110 bpm Song Rhythm Track
• 8-bar intro', 3 choruses of 36-bar ABC (16/8|12) form using standard Jazz Brushes at 120 bpm
• 8-bar intro', followed by 4 choruses of 32-bar A1A2 form with a 10-bar ending using a bouncy pop rhythm at 130 bpm Song Rhythm Track
• "All Blues" - 3 choruses of "12|12" form using a Nashville68 rhythm at 110 bpm Song Rhythm Track
• 3 choruses of "12|12/8|12" Blues swinging 8th rhythm at 65 bpm Song Rhythm Tracks
• "Moon River 3/4" - 3 choruses of "16|22" form 3/4 time ethnic waltz at 120 bpm Song Rhythm Track
• "Georgia On My Mind" - 8-bar intro' followed by 4 choruses of 32-bar AABA form using a swinging 8th blues rhythm at 65 bpm Song Rhythm Track
• 8-bar intro, 4 choruses of 36-bar AAAC form ("8|8|8|12") using sophisticated Jazz rhythm at 50 bpm Song Rhythm Tracks
• "Almost Like Being In Love" - 4 choruses of 36-bar ABC form (16/8|12) using a Jazz rhythm at 145 bpm Song Rhythm Track
• "Blue Bossa" - 8-bar intro, 6 choruses of a 16-bar tune using a grooving jazz funk rhythm at 110 bpm Song Rhythm Track
• "Dearly Beloved" - 5 choruses of a 32-bar form of "8|8|8|8" with an 8-bar ending using an older jazz 146 bpm rhythm Song Rhythm Track
• 6 Choruses of a 16-bar tune (4 x 4-bar phrases) using a swinging jazz rhythm using brushes at 120 bpm Song Rhythm Track
• "Black Orpheus" - 4 choruses of 32-bar A1A2 form with a 4-bar ending using a sophisticated Bossa rhythm at 120 bpm Song Rhythm Track
• 6 choruses of a 16-bar Tune (4 x 4-bar phrases) using an LA Pop Jazz upbeat swing rhythm at 132 bpm Song Rhythm Track
• 8-bar intro', 2 choruses of 24-bar AAA form ("888") with an 8-bar ending using Jazz Brushes and Sticks at 145 bpm Song Rhythm Tracks
• "How High The Moon" - 8-bar intro, 3 choruses of 32-bar A1A2 form (16|16) of a jazz rhythm with brushes and sticks at 100 bpm Song Rhythm Tracks
• "Bye Bye Blackbird" - 8-bar intro', followed by 4 choruses of "16/8/8" with a 4-bar ending using standard Jazz brushes at 120 bpm Song Rhythm Track
• "East of The Sun" - 8-bar intro', followed by 4 choruses of 36-bar ABC form with an 8-bar ending using a modern Jazz rhythm at 130 bpm Song Rhythm Track
• "Moonlight In Vermont" - 3 choruses of "6|6|8|8" form with a standard 2-bar ending of a Jazz rhythm using brushes only at 70 bpm Song Rhythm Track
• "Secret Love" - 3 choruses of the form "8|8/4|4" of an LA Pop Jazz Funk Swing rhythm at 120 bpm Song Rhythm Track
• "I Wish I knew how it feels to be free" - 6 choruses of a 16-bar tune (4 x 4-bar phrases) and a 4-bar ending using a light LA Pop even-8th rhythm Song Rhythm Track
• "Now's The Time' - 6 choruses of a 16-bar tune with a 4-bar ending of an even-8th jazz rhythm at 250 bpm Song Rhythm Track
• "Just Friends ChaCha" - 5 choruses of 32-bar A1A2 form (16|16) using a Cha Cha rhythm at 135 bpm Song Rhythm Track
• "Watermelon Man" - 5 choruses of a 16-bar tune using an even-8th rhythm at 85 bpm Song Rhythm Track
• 5 choruses of a 16-bar Tune (4 x 4-bar phrases) with an 8-bar ending using a jazz rhythm with brushes and sticks at 100 bpm
• "Perdido" - 8-bar intro, 5 choruses of 32-bar AABA form with a 4-bar ending using a shuffling jazz groove at 145 bpm Song Rhythm Track
• "St. Thomas" - 3 choruses of a "16 Bar Tune" (4 x 4-bar phrases) with a 4-bar ending using a Salsa Merengue Tipico rhythm at 130 b.p.m. Song Rhythm Track
• "You Are Too Beautiful" - 4-bar intro', followed by 3 choruses of 32-bar AABA form using a Jazz rhythm at 120 b.p.m.
• "Blame It On My Youth" - 4 choruses of 32-bar A1A2 form using Jazz Brushes with a 2-Feel at middle choruses at 45 b.p.m. Song Rhythm Track
• "In The Wee Small Hours Of The Morning" - 4-bar intro, followed by 3 choruses of the form "8|10" with a 6-bar ending using Jazz Brushes with a 2-feel in the middle choruses at 45 bpm Song Rhythm Track
• "Stormy Weather" - 4-bar intro', followed by 3 choruses of 32-bar AABA form using a sophisticated Jazz rhythm at 50 b.p.m. Song Rhythm Track
• "How High The Moon" - 4 x 32-bar A1A2 Jazz Older at 100 b.p.m. Song Rhythm Tracks
• "Take The "A" Train" - 8-bar intro, 5 choruses of 32-bar A1A2 form using an older style jazz rhythm at 146 bpm Song Rhythm Track
• "On Green Dolphin Street" - 12-bar Intro, followed by 3 choruses of a 32-bar "Green Dolphin Street" form (8/8|8/8), followed by an 8-bar ending with a Bossa-then-swing rhythm at 145 b.p.m.
• Almost Like Being In Love
• Mad Jane learning Some Blues -based on Blue Monk
• Mad Jane playing with The Way You Look Tonight
• Mad Jane messing with messy Autumn Leaves
• Mad Jane Jamming On Blue Monk
• Almost Like Being In Love
• Mad Jane trying out Fly Me To The Moon