Episode Synopsis "The Brutalist Part 2: Do You Need an Active Main Character?"

Discover why Brady Corbet’s The Brutalist, rejects the idea that protagonists must drive the action and how its unconventional approach grows out of its thematic exploration of the immigrant experience. Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

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• Adolescence Episode 2: Dialectical Screenwriting
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• Thunderbolts: Theme in Action Movies
• The Last of Us Season 2: Resetting Your Series Engine
• Nickel Boys and Shawshank Redemption: Primary and Secondary Structure
• The White Lotus: Why Season 3 Feels Different
• Anora: Using the “Sea Change” to Supercharge Structure
• The Brutalist Part 2: Do You Need an Active Main Character?
• The Brutalist Part 1: How to Deal with Experts & Research
•  The Apprentice: Writing The Antihero