Episode Synopsis "Second part of the masterclass: The Medingen Manuscripts in the Bodleian "
Masterclass for the Leverhulme Doctoral Students with Henrike Lähnemann, filmed by Natascha Domeisen. All the manuscripts featured are available via digital.bodleian search 'Medingen' on https://digital.bodleian.ox.ac.uk/ for more details) O1 Oxford Easter Prayer-Book (c. 1500): Oxford, Bodleian Library, MS. Lat. liturg. f. 4 Community: fol. 174v (nuns and lay-people); fol. 28v (prayer for Lüneburg and the Abbess) Printing: fol. 141v (Glued-in maiden); fol. 217v (Glued-in lions); Musical Notation: fol. 90r / 283v-284r / 36v-37r Binding: Early 16th cent. roll with Venus, Prudentius and Lucretia O2 Manual for the Provost (1470s): Oxford, Bodleian Library, MS. Lat. liturg. e. 18 Community: fol. 1r (ownership mark of Medingen); Reworking: fol. 2/2* (added in songs with lay-participation) Musical Notation: 81v-83r / 49v-50r Binding: Late 15th cent. stamps with 19th cent. ownership plaque O4 Oxford Medingen Psalter (1510s-1530s): Oxford, Bodleian Library, MS. Don. e. 248 Community: fol. 7v (Obiit entry for Abbess Margarete Puffen), 20v-21r (punctus flexus) Reworking: fol. 18 (Low German replacement prayer), plaque in its 19th century setting Musical Notation: fol. 103r / 277v
Listen "Second part of the masterclass: The Medingen Manuscripts in the Bodleian "
More episodes of the podcast Medieval German Studies
- Medingen Manuscripts
- Second part of the masterclass: The Medingen Manuscripts in the Bodleian
- Trailer: Medieval Manuscripts in the Bodleian
- Masterclass Medingen Manuscripts: Abbess Bärbel Görcke (Mariensee): The Prayer-Book of Abbess Odilia
- Masterclass Medingen Manuscripts: Ulrike Hascher-Burger (Utrecht): Musical Notation
- Masterclass Medingen Manuscripts: Alan Coates (Oxford): The Incunable Traces
- Masterclass Medingen Manuscripts: Nigel F. Palmer (Oxford): Cistercian Punctuation
- Masterclass Medingen Manuscripts: Andrew Honey (Oxford): The Plaque in the Psalter and the Bindings
- Masterclass Medingen Manuscripts: Henrike Lähnemann (Oxford): Introduction