Episode Synopsis "“Uno” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943."

Discépolo's work aroused interest in the field of thought. The Spaniard Camilo José Cela included him among his preferred popular poets and Ernesto Sábato had no doubt in identifying himself with his pessimistic philosophy. The post “Uno” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943. first appeared on Escuela de Tango de Buenos Aires - Marcelo Solis.

Listen "“Uno” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943."

More episodes of the podcast Juan D'Arienzo y su Orquesta Típica with Héctor Mauré in vocals | Escuela de Tango de Buenos Aires - Marcelo Solis

• “Uno” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943.
• “Infamia” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1941.
• “Yo quiero cantar un tango” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943.
• “Dime mi amor” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1941.
• “Tres horas” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1943.
• “Compadrón” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1942.
• “El olivo” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1941.
• “Cicatrices” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1942.
• “Amarras” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1944.
• “Sobre el pucho” by Juan D’Arienzo y su Orquesta Típica with Héctor Mauré in vocals, 1941.