Stentorian Bass, Harold Wilson discusses high notes and low notes, bass repertoire, and common mistakes of young bass singers. Harold has performed with companies such as the Metropolitan Opera, Santa Fe Opera, Palm Beach Opera, Deutsche Oper Berlin, and Staatsoper Berlin, in roles such as Basilio, Sparafucile, Ramfis, Sarastro, and Baron Ochs. 𝐖𝐀𝐓𝐂𝐇 Harold in action: https://youtu.be/haSPE4MdOP0 Voice with Julia’s #techniquetalks is where we demystify conversations surrounding vocal technique with 𝐛𝐞𝐡𝐢𝐧𝐝-𝐭𝐡𝐞-𝐬𝐜𝐞𝐧𝐞𝐬 𝐚𝐜𝐜𝐞𝐬𝐬 to great singers of today. Forget what you thought you knew about singing from your pedagogy textbook. In this series, singers get real about what works, and what doesn't. Get inspired. Try these tips. 𝐔𝐬𝐞 𝐲𝐨𝐮𝐫 𝐣𝐮𝐝𝐠𝐞𝐦𝐞𝐧𝐭. Show Notes: 04:26 How to overcome the challenges of the bass voice 06:06 How to know if you are a bass 10:54 How to breathe when singing 15:16 How to navigate the bass voice registration 20:18 How to navigate the bass passaggio 22:40 How to sing bass high notes 25:06 How to use bass falsetto 27:27 How to lower the larynx 32:04 How to project as a bass 34:38 How to sing bass repertoire 39:45 How to sing with the breath 43:18 How to sing coloratura as a bass 45:00 How to sing “La calunnia” and Sarastro 49:56 How to navigate problems on stage 54:25 What is your desert island vocalise ❤️ JOIN my FB Group: https://www.facebook.com/groups/techniquetalksforsingers/ ️ ❤️ Subscribe to never miss a video: https://www.youtube.com/channel/UCGibxkvaN8KVff0ztzYznMg ❤️ More at https://www.voicewithjulia.com ❤️ To stay in the know, and gain behind-the-scenes access to upcoming guests: https://www.voicewithjulia.com/techniquetalks/ ❤️ More at https://www.voicewithjulia.com ❤️ Instagram: @voicewithjulia ❤️ Facebook: Voice With Julia

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