Marv, Lonnie and I finish our review of "Daytime Revolution" (and to a certain extent, more generally John and Yoko's week on Mike Douglas).    Following that, we are joined by Erik Nelson, the man behind "Daytime Revolution", who gives his own thoughts on the the week of shows (filmed over five weeks), the process of editing 7+ hours of television down to less than ninety minutes, locating and filming new interviews with the guests still with us, and choosing representative elements (bumpers, etc) to keep that "1972 television" feel.

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