In this episode of The Big Book Project, host Lori Feathers and literary scholar Dr. Larry Allums continue their deep exploration of William Faulkner’s Absalom, Absalom!—turning to the enigmatic and multi-layered Chapter 6.This chapter introduces a new voice into Faulkner’s intricate web of narrators: Shreve McCannon, Quentin Compson’s Canadian roommate at Harvard. Lori and Larry discuss how Faulkner weaves Shreve into the novel’s chorus of storytellers and how this outsider’s perspective both contrasts and transforms as he becomes absorbed in the haunting saga of Thomas Sutpen.Their conversation delves into the chapter’s dizzying narrative structure—its use of italics, parentheses, and shifting points of view—and the profound questions it raises about race, family, innocence, and inherited guilt. They also examine Faulkner’s portrayal of characters like Clytie, Judith, Charles Bon, and Sutpen himself, and how the themes of lineage and identity echo through generations.As Lori notes, reading Absalom, Absalom! feels like piecing together a vast jigsaw puzzle—frustrating, dazzling, and endlessly rewarding.Listen to this episode to explore:Why Faulkner introduces Shreve in Chapter 6 and what his voice addsThe evolving narration and blurred lines between storytellersThe moral and racial complexities surrounding the Sutpen familyThe concept of “innocence” in Faulkner’s modern worldHow memory, myth, and history intertwine in Southern storytelling⏱️ Chapters00:00 – Introduction and recap of Absalom, Absalom!02:15 – Welcoming Dr. Larry Allums back to discuss Chapter 604:05 – The arrival of Shreve McCannon: a new narrator enters07:40 – Faulkner’s use of multiple voices and shifting narration10:55 – Why Faulkner gives Shreve an outsider’s Canadian perspective14:20 – Quentin and Shreve’s dynamic: skepticism vs. obsession18:10 – Revisiting Sutpen’s Hundred after 43 years21:00 – Deaths, births, and the letter announcing Rosa’s passing24:45 – Understanding Charles Bon and questions of race29:30 – Thomas Sutpen’s suspicions and the “design” of his life34:20 – Innocence, guilt, and the Southern moral code39:00 – Judith and Clytie’s shared loyalty and quiet defiance44:30 – The role of New Orleans and the octaroon society48:15 – Charles Bon Jr.’s identity struggle and racial ambiguity52:40 – Family lineage, belonging, and Faulkner’s concept of “passing”56:25 – The haunting of Sutpen’s legacy across generations59:10 – Faulkner’s use of italics and parentheses in Chapter 61:02:30 – The mystery of the cemetery and Judith’s epitaph1:06:00 – Memory, inheritance, and the Southern sense of place1:09:10 – Shreve’s humor and levity amid tragedy1:12:00 – The brilliance of Faulkner’s narrative control1:14:45 – Closing thoughts and preview of Chapter 7🗣️ Join the ConversationIf you’re reading along, I’d love to know:💬 What struck you most about these chapters?Share your thoughts in the comments so we can read and wrestle with Faulkner together.✨ Follow The Big Book Project📺 Watch on YouTube📚 Support independent bookstoresFollow on Instagram

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