Every December for the better part of the past two decades, a throng of well-heeled dealers, collectors, artists, celebrities, publicists, and lookie loos descend on a small stretch of Miami Beach coastline for a final year’s-end bacchanal. Art Basel Miami Beach has long been considered the art market’s Black Friday, when dealers are able to sell enough wares to put them in the black for the year and close the books on a high note.So what happens when it all goes virtual? Despite the fair having called off most in-person activities this year, Artnet News’s intrepid reporter Nate Freeman, best known as the poison pen behind the weekly gossip column Wet Paint, flew down to the sunshine state (after multiple coronavirus tests) to find out. On this week’s episode, Nate calls in from Miami Dade County to discuss what he calls the “Zombie” Art Basel—a fair somewhere between living and dead. With visits to august Miami museums and private collections, plus tours of the newly established seasonal gallery outposts that alit from New York, Nate attempts to answer the question: If no one is there to see and be seen, does an art fair really matter?

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