Antonin is the graphics operator for the IFSC! In this episode, we’ll learn about why the IFSC chooses to use local production teams instead of their own production team and the difficulties that come with that, why graphics don’t show up sometimes, and we’ll hear about his thoughts on why the bouldering format is inherently broken for watching on TV.Guest links:Antonin’s InstagramReference links:Arco Rock MasterThank you Mad Rock for sponsoring this episode! Use code 'notrealclimber' for 10% off your ENTIRE order, even if you're a returning customer! https://madrock.com/Learn more about the podcast at www.thatsnotrealclimbingpodcast.comFollow on Instagram at https://www.instagram.com/thatsnotrealclimbingpodcastJoin the FREE community in Discord! https://discord.gg/QTa668g8zpJoin Patreon for a welcome gift, deleted scenes, and question priority: www.patreon.com/thatsnotrealclimbingpodcastTimestamps of discussion topics0:00 - Intro1:21 - Mad Rock Shoutout!!2:08 - 5 weekends of work5:23 - Best ISO Warm up zone7:07 - What he does for IFSC10:19 - The structure of IFSC broadcast13:30 - Choosing between IFSC production or local19:07 - What guidelines are given to local tv crews?23:08 - Who is in charge of cinematic shot decisions?36:43 - The difficulty showing bouldering on TV43:05 - Considering the elimination boulder format?46:33 - How to satisfy both climber and non-climbing audience49:53 - Why do graphics lag behind/not show up?54:41 - Can we have scores show on screen more often?58:02 - Why putting up a clock is so difficult1:02:39 - Traveling with a full camera set1:07:47 - Dead body in SLC?!1:12:46 - Climbing gym work1:21:05 - Q: Do you ever rewatch comps? 1:23:34 - Q: Is it legal to stream the whole event as a spectator?1:25:02 - Where to find Antonin and send further complaints :p

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