Since pretty much the beginnings of our field,  musicologists have gone digging for lost music, bringing old pieces back into the world after centuries of neglect. But it's not just about finding some new scores: it's also about building an understanding of the culture that created and preserved them. When we find music in Renaissance manuscripts, what meaning can, and should, we make from it? An interview with musicologist Laurie Stras about what she has uncovered in the archives––including a major work by the Renaissance composer Antoine Brumel––what it means for music to be anonymous, what to do when you realize your research might actually be wrong, and a lot more.Laurie Stras is Research Professor of Music at the University of Huddersfield and Emeritus Professor of Music at the University of Southampton.Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation

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