Subscriptions are a fact of life. In return for making an ongoing, regular payment, we get something of value. But that’s also true when we make a one-time payment.
Software is sold both ways. So when we pay for music notation software, which method is better for the people that use it, and which method is better for the people that make it? Can there be a way to provide software so that works for everyone?
On this podcast episode, Philip Rothman and David MacDonald ask that very question. We take a look back to how notation software used to be sold and trace the recent history that led up to the current situation, and then offer our suggestions on how to change the business models that might make more people like — and subscribe — to future notation software upgrades.
Also: We announce “Scoring Notes Live”, a video presentation in partnership with our good friends at MOLA, the Association of Music Performance Librarians, for their 2021 conference. Join us on Monday, May 17, and register at the MOLA Conference web site.

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