Freelancing is a kind of freedom. Freedom from a regular schedule, an office, or a permanent boss. But with freelance work comes responsibility.
Part of your job as a freelancer is deciding what the work should be and finding the clients who are going pay you to do it. Not only are you responsible to them, but you’re responsible for yourself, your family, the tax man, and more.
In the music notation software and related technology world of Scoring Notes, it’s possible to have freelance work in which those tools are used regularly.
Paul Beck is principal librarian of the Milwaukee Symphony, concert librarian for Renée Fleming, and formerly librarian at, among other institutions, The Metropolitan Opera, The Juilliard School, and the Aspen Music Festival & School. Paul joins Philip Rothman and David MacDonald to talk all about his decades of experience both as a freelance music preparer and salaried performance librarian, and to offer a wealth of insights and practical advice for anyone seeking freedom — and responsibility — as a freelancer.
This wide-ranging and detailed conversation explores the methods and manners of pursuing freelance work; the differences and similarities among being a freelancer, independent contractor, part-time employee, and full-time employee — and the benefits and drawbacks of each; managing your time and boundaries as a freelancer; the importance of mentors; essential tools; and specific advice about finances, invoices, and payment processing options.
More from Scoring Notes:

An interview with librarian Paul Beck
Road report: Copland’s Rodeo in Milwaukee
How to charge for music preparation
Chronology of a perfect music printing job
The tale of the tape
The staples of printing self-published music

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