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Listen "Current State of Journalism in Nonfiction and Controversial Programming"
Episode Synopsis
In this episode, host Edward Frumkin (he/him) and contributor Sean Naughton (he/him) analyze the findings of the Center for Media and Social Impact’s Report on the current State of Journalism in Documentaries, SXSW’s hypocritical stance on providing spaces for people with disabilities (18:45), and Sundance’s inclusion of Jihad Rehab (32:40). Then, Edward shares his thoughts on Random Acts of Flyness, Jessica Tifase’s recommendation (28:07). Finally, in today’s concluding thought, Edward discusses reelprint’s politics (01:12:13).
Time Codes:
1:05 - Ep. 19 Introduction and the key findings of the Center for Media and Social Impact’s recent report
4:07 - Analyzing how people use documentaries as a source
8:25 - Conflict of Interest in funding documentaries
11:10 - Critiquing the journalistic coverage in documentaries
15:00 - Seeing how the doc industry is becoming more equitable, accountable and accessible
18:45 - Analyzing SXSW’s stance on providing spaces for people with disabilities as mentioned in Reid Davenport’s IDA Op-Ed
22:35 - SXSW’s film history towards stories about people with disabilies
25:30 - Critiquing SXSW’s listed accommodations for people with disabilities
28:08 - Edward’s take on Random Acts of Flyness
32:40 - Critiquing Sundance’s inclusion of Jihad Rehab
35:20 - Recognizing the efforts from a group of Muslim and Middle Eastern, North Africa, and South Asian (MENASA) filmmakers for holding several film organizations accountable for enabling an Islamophobic environment
39:20 - Explaining the reasons and limitations of this conversation
42:20 - The limits in the empathy model and critiquing Meg Smaker
48:45 - Recognizing Sundance’s history in problematic stories
51:05 - Analyzing the data on Sundance films in the documentary competition programs from the last 20 years about Muslims, MENASA-based people, or take place in MENA
55:38 - Assia Boundoui’s challenges in making The Feeling of Being Watched and acknowledging the backlash for speaking out
57:50 - #MyMuslimFilm
1:00:20 - Recognizing some of the co-signatories who are supporting the group
1:05:15 - The suggestions the Muslim and MENASA filmmakers list in their open letter
1:12:13 - Concluding Thought: reelprint’s politics
Episode show notes available here
Time Codes:
1:05 - Ep. 19 Introduction and the key findings of the Center for Media and Social Impact’s recent report
4:07 - Analyzing how people use documentaries as a source
8:25 - Conflict of Interest in funding documentaries
11:10 - Critiquing the journalistic coverage in documentaries
15:00 - Seeing how the doc industry is becoming more equitable, accountable and accessible
18:45 - Analyzing SXSW’s stance on providing spaces for people with disabilities as mentioned in Reid Davenport’s IDA Op-Ed
22:35 - SXSW’s film history towards stories about people with disabilies
25:30 - Critiquing SXSW’s listed accommodations for people with disabilities
28:08 - Edward’s take on Random Acts of Flyness
32:40 - Critiquing Sundance’s inclusion of Jihad Rehab
35:20 - Recognizing the efforts from a group of Muslim and Middle Eastern, North Africa, and South Asian (MENASA) filmmakers for holding several film organizations accountable for enabling an Islamophobic environment
39:20 - Explaining the reasons and limitations of this conversation
42:20 - The limits in the empathy model and critiquing Meg Smaker
48:45 - Recognizing Sundance’s history in problematic stories
51:05 - Analyzing the data on Sundance films in the documentary competition programs from the last 20 years about Muslims, MENASA-based people, or take place in MENA
55:38 - Assia Boundoui’s challenges in making The Feeling of Being Watched and acknowledging the backlash for speaking out
57:50 - #MyMuslimFilm
1:00:20 - Recognizing some of the co-signatories who are supporting the group
1:05:15 - The suggestions the Muslim and MENASA filmmakers list in their open letter
1:12:13 - Concluding Thought: reelprint’s politics
Episode show notes available here
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