Jules: The best, late period William Gibson film adaptation not actually adapted from a William Gibson novel, Demonlover intersects oblique characters and narratives to produce an aesthetically integrated nightmare of Postmodern fragmentation. When unconscious entities (like corporations, nationalities, and religious movements before them) evolve djinn-like abilities to tempt, trap, and consume their human constituents in the sociopathic pursuit of marketshare, do they signal a future when identity, self-awareness and morality are as irrelevant as 'junk' DNA?
David: We actually fulfil our brief this time and bring you a genuinely overlooked film. Connie Nielsen is a high flying minion of anime porn merchants by day and cat-burglar by night, who wanders out of her depth in a world of corporate play and counter play. She discovers the company ladder that goes all the way to the top also goes all the way to the bottom.

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