All things must come to an end, but few approach endings with such grace as Marschallin Marie-Therese, the iconic character of Der Rosenkavalier.  At once epic and intimate in scope, Strauss’s masterwork resists characterization, at various points telling the story of the end of a romance, the end of adolescence, and the end of an empire.  Published on the eve of the First World War, this opera masterfully intertwines traditional and modern subjects to produce an epic story of nobility, violence, and the achievement of wisdom. Working together, Strauss and playwright-librettist Hugo von Hofmannsthal created one of the finest stories ever told.
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