Tess Lukey is an enrolled citizen of the Wampanoag Tribe of Gay Head Aquinnah and serves as the Associate Curator of Native American Art at the Trustees of Reservations, where she is based at both Fruitlands Museum and deCordova Sculpture Park & Museum. Her curatorial practice centers on the intersection of historic and contemporary Native American art, with a specialization in pre-20th-century materials. Lukey’s expertise also spans NAGPRA, Mayan art history, and folk art. She holds an MA in Art History with a minor in Museum Studies from the University of New Mexico and a dual BFA in Ceramics and Art History from MassArt.

Lukey has contributed to exhibitions at institutions such as the Museum of Fine Arts, Boston—including Collecting Stories: The Invention of Folk Art and A Little Bit of the Southwest—and curated recent shows at Fruitlands titled Across Boundaries Across Barriers, Place of Intersection: Survivance in the American West, and A Surreal Place: Sky Hopinka and Cannupa Hanksa Luger, which prioritize Indigenous-led interpretation. Her work is shaping new strategies for museums seeking to engage Native collections through community-driven frameworks.

In addition to her museum work, Lukey is an independent curator for the Boston Public Art Triennial (May 2025), a city-wide exhibition of over 15 public art commissions accompanied by hundreds of community-based programs. She is also a traditional artist, continuing the ceramic and basketry techniques of her Wampanoag heritage, reflecting her commitment to cultural continuity through both institutional and creative practice.


Follow Tess on LinkedIn: https://www.linkedin.com/in/terese-lukey-3b0a231b2/

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