Dr. Angus Lockyer detonates bids to define imperial Japan’s historical and artistic identities, through Niiro Chunosuke’s 1930s replica of the Kudara Kannon.
6000 miles from home, in the British Museum, stands one of two replicas of a Japanese national treasure. But most visitors pass her by, in search of samurai armour, elegant pottery, and woodblock prints. Though carved in Japan, the original and replicas of the Kudara Kannon tell us much about the archipelago's relationship with the Asian continent and the wider world. Used over the centuries to cement power and identity, the Kudara Kannon shows us how even the proudest empires depend on ideas from elsewhere.
PRESENTER: Dr. Angus Lockyer, Visiting Scholar in the Center for Asian Studies at the University of Colorado Boulder. He formerly taught Japanese, East Asian, and global history at SOAS University of London (2004-2019), and was a Co-Investigator in the SOAS-British Museum research project, Late Hokusai: Thought, Technique, Society.
ART: Replica of the Kudara Kannon, Niiro Chunosuke (1931-1932).
IMAGE: ‘Replica of Bodhisattva Kudara Kwannon figure, made of painted wood’.
SOUNDS: Pauline Oliveros, Miya Masaoka.
PRODUCER: Jelena Sofronijevic.

Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936
Support EMPIRE LINES on Patreon: patreon.com/empirelines

Ver todos los episodios