The way to make artists and arts organizations thrive is to make sure that climate change is a part of their thoughts, business plans and strategic plans because the timeline is short and severe climate change effects are within a strategic planning time horizon. Matthew Chasansky, Creative Climate Leadership USA, March, 2020(episode 8 of 10 in Creative Climate Leadership USA Series)Creative Climate Leadership USA  was developed by Julie’s Bicycle, an international  leader in arts, culture and climate change based in London (led by Alison Tickell) and brought together 25 arts and culture leaders from the US and Canada to Biosphere 2 in Oracle, Arizona from March 8-14, 2020 thanks to a collaboration of EcoArts Connections, the University of Arizona and the Colorado European Union Center of Excellence  (CEUCE) based at the University of Colorado-Boulder.For 7 years Matthew Chasansky has been with the city of Boulder, Colorado.He has worked on important projects such as public art, research, a new arts district, and community funding.He is chair the regional meetings of local arts agency directors, consulted with a political campaign, served on boards, attended the Local Arts Agency Fellowship, and is regularly asked to speak at events.He has previously worked for cultural affairs in Denver and Aurora, Colorado.His early career was in museum education and curation. 
*END NOTES FOR ALL EPISODESHey conscient listeners, I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It’s my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.Your feedback is always welcome at [email protected] and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.Share what you like, etcI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on December 5, 2025

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