A suffrage convention, a censored book, and a friendship that held the line—this is the 1896 showdown few of us were ever taught. We open the appendix to The Woman’s Bible and step into the room where NAWSA leaders tried to distance the movement from Elizabeth Cady Stanton’s fiercest work. The resolution’s catty phrasing calling it the “so-called Woman’s Bible” was more than shade; it was strategy, signaling a turn toward (so-called) respectability and away from the root critique that Stanton believed blocked every legal gain: scripture used to justify women’s subordination.We trace the fault lines through names, speeches, and a near-split vote. Charlotte Perkins Stetson offers a surgical amendment to keep the association non-sectarian without shaming dissent. Then Susan B. Anthony rises with a spine-of-steel defense of Stanton, warning that censorship narrows coalitions and that progress cannot survive if questioning sacred authority is off-limits. Her words could be used to-day: you can’t promise freedom with a gag order, and you can’t build a durable movement by appeasing fear.Along the way, we explore why the Bible became the battleground, how the vote re-centered the suffrage movement, and what that decision cost subsequent generations. We connect the dots to today where Christian nationalism, selective literalism, and rights rollbacks test whether advocates will name the story that shapes the law.  We marvel at the lives of victorian women whose lives spanned art, sociology, organizing, and risk. And we end with a poem that captures the ethos: be the rock that sets the boundary, not the tide that flatters and recedes.If this shook your assumptions or filled a missing chapter in your mental timeline, share it with a friend, subscribe for the next deep dive, and leave a review with your biggest takeaway or maybe some of your own feminist history knowledge. We read every word.LINKS!The Woman's Bible Repudiated: https://sacred-texts.com/wmn/wb/wb75.htmMore about Charlotte Perkins: https://aeon.co/ideas/all-woman-the-utopian-feminism-of-charlotte-perkins-gilmanVideo Bio: https://youtu.be/Cjw3-lM1Tyg?si=XuejpLTXjWVs_4-bHer letter with her lovah: https://cds.library.brown.edu/projects/CreativeNonfiction/spring00/rabinowitz.htmlThis episode recorded at Bob's Basement Studio. Produced and edited by Sara Kaye Larson.Send us a textCredits Recorded at Troubadour Studios in Lansing, MI Audio Engineer Corey DeRushia Edited by Rie Daisies at Nighttime Girlfriend Studio Music: ‘Shifting pt. 2 (instrumental)’ by Rie Daisies Executive Producer Kathleen ML Rogers Leave us a voice mail Have some feedback? Praise? General thoughts? Know how to pronounce something? Are you a religious scholar? We'd love to hear from you. Leave a message right from your phone or computer by clicking here. Recordings may be used in future episodes. Website https://bitingalltheapples.buzzsprout.com Find us on TikTok and YouTube

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