The original Nelson-Atkins building has 23 panels carved on the outside, high up and kind of hard to see—really see. They tell a story of settler colonialism in the Midwest, filled with harmful stereotypes of Indigenous people. The story is fiction, but it’s told like monumental history. In this episode, we look closer at these public images with Native artists Mona Cliff, Alex Ponca Stock, Lucky Garcia, and Alex Kimball Williams. Learn more about our guests, see the art in this episode, and read a transcript here.

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