Zara deserves our sympathy for the way she was handled. But as soon as she starts whining about the men her mother is seeing, our support instantly shifts to her mother. While Zara's struggle to better herself is depicted over the majority of the image, it falls short of offering a more satisfying redemptive ending. Chris's storyline is distinct from the female characters he is directly involved with, but there is no compelling force behind his impending transformation. Additionally, it boasts to itself in an annoyingly self-congratulatory manner when the two best friends are having a late-night chat. It's entertaining to watch Efron poke fun of self-absorbed Hollywood types with this flimsy frivolity, but it's a shame the
directors didn't go for more.
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