In this episode of 'Why'd They Put That in a Museum,' hosts Sarah Lees, a museum curator and researcher, and Beth Bacon, an avid museum goer and children's book author, discuss Faith Ringgold's 'Tar Beach,' which is a part of her 'Woman on a Bridge' series. This colorful work defies categorization. It blends painting, quilting, and storytelling. It’s an artwork… and also a Caldecott-winning picture book. We start by talking about the quilt version of the work in the New York Guggenheim, which shows a family hanging out on a New York City rooftop on a summer evening. We talk about the work’s magical and fantastic elements (it depicts a girl, Cassie Louise Lightfoot, flying in a starlit sky above the George Washington Bridge). Its text mentions both heart wrenching political messages and the hope that's born in the imagination. Why did the Guggenheim Museum choose this piece for their collection? To answer that, we explore Ringgold's influences from Tibeten thangka, to African-American quiltmaking, to abstract expressionism. We also go back to look at her career, starting in the 1960’s and her insistence that her work is worth preserving and valuing. We talk about how the personal can be political. And we ponder other works, such as ‘The Flag Is Bleeding’ and ‘Die’ which is featured at MOMA, in honored place next to Picasso’s ‘Demoiselles D’Avignon.’ Why did MOMA put a Ringgold work next to a Picasso? Listen to the podcast and find out. Send us ideas & feedback.© 2025 Why'd They Put That In A Museum podcast hosts Beth Bacon and Sarah Lees.

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