What makes an image feel powerful, even when it breaks all the “rules”? In this episode we start with Edgar Degas, the artist who scandalized 19th-century critics by framing scenes in ways that felt careless, even wrong. But those so-called mistakes were deliberate, inspired by photography, and they reshaped how we see. That idea becomes the thread for this conversation: as filmmakers, when do we stick to tradition, and when do we break it on purpose? How do we know the difference between a careless choice and a calculated one?
We dig into four visual building blocks that shape how an audience feels without them even noticing: shape, space, brightness and darkness, and texture. You’ll hear how a triangle can tilt the balance of power in Citizen Kane, how contrast in The Godfather and There Will Be Blood uses the audience’s own eyes to do the storytelling, and why David Hockney’s flat poolside scene feels so emotionally distant compared to the hyper-real textures of Ingres. Along the way, you’ll start seeing the hidden architecture of images (and learn how to use it) so you can decide not just what’s in the frame, but exactly how it makes people feel.

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