Lately, I’ve been reflecting on why I chose electronic music—especially coming from a background in flamenco guitar. For a while, I kept asking myself, What exactly is techno? But I’ve come to see that this question leads away from the truth rather than toward it. Now I ask something simpler, more personal: Why am I drawn to this sound? Each track gives me small, wordless answers—fragments of what I’ve been feeling, seeing, thinking. It’s not about genre or how it might sound to others. It’s about translating lived experience into sound—unfiltered, emotional, and real, in a way that captures the emotional imprint of my recent life, moment by moment. Freedom has always been precious to me. I feel most free in the mountains—especially standing before the twin peaks of Ushba. That mountain means something very real to me. It took the life of my friend this year—a true Svan, a pure Georgian soul. I’ve never met anyone like him.The best Mountaineer, freerider and skier, a man of extraordinary dignity, someone who would open his home to anyone. He was one in a billion. This mix is more than music to me. It’s not a project or a product—it’s everything. A personal imprint of all I’ve been processing: grief, awe, beauty, and a longing for something beyond words. In that way, it’s not something I made. It’s something that revealed itself.

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