Very Expensive Maps

Por: Very Expensive Maps
You get what you pay for: professional cartographer Evan Applegate interviews better cartographers. Listen to the best living mapmakers describe how they create worlds in pixels, ink, graphite, threads, film, paint, ceramic, wood and metal. For show notes and bonus content visit https://veryexpensivemaps.com
48 episodios disponibles

Latest episodes of the podcast Very Expensive Maps

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Andrew Lynch: “I wish somebody else had done this, but I guess I'm gonna have to figure it out.” 02/08/2023
Danielle Currie: “Zoom in buddy, it ain’t paint!” 26/07/2023
Gabriel Camus: “That would be the dream, to make this city that never ends.” 18/07/2023
Simon Polster: “I was hitchhiking from Iran to Berlin and spent quite a long time in the Caucasus.” 10/07/2023
Kevin Sheehan: “There’s something good about using old ways of doing things.” 03/07/2023
Jeff Clark: “Paper maps are dead, long live paper maps.” 27/06/2023
Anthony Despalins: “I feel this energy when creating impossible landscapes, spaces, configurations.” 19/06/2023
Grant Preller: “It started as a fun project and has turned into something I would definitely call a vocation.” 12/06/2023
Aaron Taveras: “I would stare at topos for days on end and thought it’d be fun to make them myself.” 05/06/2023
Jake Coolidge: “It’s a great way to learn a place, to try to map it well.” 30/05/2023
Daniel Coe: “Science and art can make these really interesting images.” 24/05/2023
Anton Thomas: “That mix of serious cartography and serious art; I love that.” 23/05/2023
Nat Slaughter: “I seem to be drawn to maps that have a timeless quality.” 22/05/2023
Jane Crosen: “I thought ‘Well, I’m going to do my own labels using calligraphy, and then I can be my own typesetting machine.’” 19/05/2023
Jug Cerović: “The map is the reality; the infrastructure is entirely virtual.” 18/05/2023
Jeff Murray: “The slogan within my work is ‘look closer.’” 16/05/2023
Carl Churchill: “Immersing myself in thousands of high quality maps allowed me to develop a certain style.” 10/05/2023
Elliot Park: “Why would you want to create a relief map you can’t touch?” 09/05/2023
Kirsten Sparenborg: “I elaborate on the emotion of places when I make maps.” 07/05/2023
Aurélien Boyer-Moraes: “The most important part is that the map goes to the public, it’s useful, and it’s used.” 05/05/2023
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