Black and white cinematography used to be the only ways to capture moving images for film. In contemporary filmmaking, it is now only rarely used as an intentional choice by the filmmaker to capture a specific tone, setting, or atmosphere for a story. We discuss two films, Frances Ha and A Girl Walks Home Alone at Night, to examine the strategy of black and white imagery in a modern lens. The Rolling Tape is a multimedia film and entertainment outlet for podcasts, online publications, and film production. The podcast is a TRT production covering weekly film reviews, industry updates, and awards season news.Find The Rolling Tape everywhere:Podcast Website LinkWebsite & Publications: www.therollingtape.comInstagram: @therollingtapeTwitter: @therollingtape Letterboxd: @therollingtape Support our team on LinktreeFollow our team online:Danny Jarabek on Letterboxd, Instagram, Filmstagram, Twitter, and TikTokEugene Rocco Utley on Letterboxd, Instagram, and TwitterFilms mentioned:Letterboxd listResources:Frances Ha: black-and-white cinema is dead‘Frances Ha’ Q & A: Greta Gerwig, Noah Baumbach on Collaborating, Shooting Black-and-White in NY (TRAILER)Have questions? Email [email protected]:Theme music by Eugene Rocco UtleyArtwork by Danny JarabekEdited by Danny JarabekSupport the showThe Rolling Tape is a multimedia film and entertainment outlet for podcasts, online publications, and film production. The podcast is a TRT production covering weekly film reviews, industry updates, and awards season news.Find The Rolling Tape everywhere:Podcast Website LinkWebsite & Publications: www.therollingtape.comInstagram: @therollingtapeX: @therollingtape Letterboxd: @therollingtape Support our team on Linktree

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