Camp is an aesthetic style and sensibility that admires bad taste and ironic value. Camp questions art and beauty by dethroning the serious through theatricality, irony, and a love for exaggeration. It is inherently elusive to understand and capture in any art form but it has succeeded in paving its way through film history, intentionally or otherwise. The Rocky Horror Picture Show (1975) and But I’m a Cheerleader (1999) are two examples of films that employ camp sensibilities as we examine how they relate to each other in this legacy as well as to camp taste as it has evolved over time as a space for LGBTQ+ representation.Chapter Timestamps:0:00:00 Introduction0:02:10 Double Feature Preface0:13:19 Initial Thoughts 0:24:09 Double Feature1:16:46 Ratings1:27:47 Polls & Double Feature PitchesThe Rolling Tape is a multimedia film and entertainment outlet for podcasts, online publications, and film production. The podcast is a TRT production covering weekly film reviews, industry updates, and awards season news.Find The Rolling Tape everywhere:Podcast Website LinkWebsite & Publications: www.therollingtape.comInstagram: @therollingtapeTwitter: @therollingtape Letterboxd: @therollingtape Support our team on LinktreeFollow our team online:Danny Jarabek on Letterboxd, Instagram, Twitter, and TikTokEugene Rocco Utley on Letterboxd, Instagram, and TwitterMatthew Soto on Letterboxd and InstagramFilms mentioned:Letterboxd listHave questions? Email [email protected]:Theme music by Eugene Rocco UtleyArtwork by Eugene Rocco UtleyEdited by Eugene Rocco UtleySupport the showThe Rolling Tape is a multimedia film and entertainment outlet for podcasts, online publications, and film production. The podcast is a TRT production covering weekly film reviews, industry updates, and awards season news.Find The Rolling Tape everywhere:Podcast Website LinkWebsite & Publications: www.therollingtape.comInstagram: @therollingtapeX: @therollingtape Letterboxd: @therollingtape Support our team on Linktree

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