Mai—the new Netflix thriller starring Sakshi Tanwar—is a deceptively bad show that actively tries to distance itself from its compelling hook.
We discuss the show’s leaps of logic, gaping plot holes, and Tanwar’s two-note performance.
We also find time to chat about Abhishek Bachchan and his analysis of Dhoom, and inevitably conclude by shaking our heads at Netflix India yet again.
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