John Abercrombie returns with Wait Till You See Her (ECM, 2009), another album of gorgeous, tuneful music from his quartet, featuring Mark Feldman on violin, Joey Barron on drums, and new band member Thomas Morgan on bass. In this interview, Abercrombie talks about how subtle movements in the audience impact a performance; the label “chamber jazz” and whether it applies to his band; and his role as the evil Donald Dastardly in the radio drama Harry Lovett, Man Without A Country, which also featured the voices of John Surman and Jack DeJohnette. Learn more at johnabercrombie.com. (On a personal note, John was on The Jazz Session #3, back when no one had ever heard of this show. I’m grateful for his early support of The Jazz Session, and it’s very gratifying to have him back here 100 episodes later.)
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