We discuss the visual elements and deeper implications of Geoffrey Pugin's 'Webptology, Prisms' exhibition and question whether tech-focused art exhibitions are pushing artistic boundaries or relying on spectacle. We also address Spotify's record payout to artists and the sustainability of the streaming model. Other topics include AI use in creative platforms, tools to protect artists from AI appropriation, and the significance of smaller, independent platforms. The conversation extends to Indomie Studio's impact on the gaming industry, the SXSW XR Showcase's immersive experiences, and the eerie side of AI in the 'Ghosts' exhibition. The episode encourages listeners to explore 'The Intersect' newsletter for more insights on the dynamic interplay between creativity and technology.Find the latest episode at https://theintersect.art/issues/45 , and sign up for the newsletter at The Intersect of Tech and Art website The discussion covers a variety of topics including Geoffrey Pugin's 'Webptology, Prisms' exhibition, Spotify's financial contributions to artists, the exploitation of creative content by AI platforms, and new tools like Glaze and Nightshade designed to protect artists' work. Other highlights include discussions on the role of Scribd in promoting deep reading, the women-led Indomie Studio reshaping game art, the transformative potential of XR experiences, and the 'Ghosts' exhibition exploring AI-generated entities. The episode encourages listeners to reflect on whether new technologies enhance artistic expression or merely add spectacle.00:00 Introduction to The Intersect01:05 Geoffrey Pugin's Exhibition: Webptology, Prisms02:55 Spotify's Record Payout: A Deeper Look04:46 Artists' Rights in the Age of AI06:51 AI-Powered Self Discovery: HumanDesign.ai08:11 Scribd's Rebrand: A Haven for Authentic Knowledge10:10 Indomie Studio: Diversity in Game Art11:37 SXSW XR Showcase: Immersive Experiences13:37 Ghosts: AI and the Uncanny Valley15:03 Conclusion and Final Thoughts

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