Why Working with Music Producers Can Be a Challenge on Your Film ScoreHiring a music producer for your film score might seem like a great idea—after all, they understand music, right? However, the world of film scoring is different from traditional music production, and working with a producer instead of a film composer can present unexpected challenges. From understanding the nuances of storytelling through music to working within the constraints of a film’s timeline, not every producer is equipped for the job.In this episode, we discuss what happens when you hire a music producer, traditional songwriter, or musician for your film score instead of a film composer. We also explore the challenges, common mistakes and a five-point checklist to help you choose your film composer,  producer or songwriter effectively.What You Will Learn:[00:01] Intro and what’s in for you in today’s show[01:42] Mistakes we make when hiring a producer or songwriter [03:58] Five key things to look for when hiring a music producer or film composer[04:11]#1 Problem solvers who can enhance storytelling under constraints  [04:52]#2 Make sure they understand the film workflow [05:18]#3 Their work should enhance the vision, not overshadow it[05:56]#4 They should not overshadow the vision but enhance it  [06:23]#5 They must understand production schedules[07:12] A quick recap [07:36] Wrap up and end of the show Quotes: “Choosing someone based on their success in the music industry is a mistake; there is not always a translation, niche down.”- [02:01]“Just because someone is good at writing lyrics or playing a certain instrument doesn’t mean they necessarily have the skills to be orchestrating or writing orchestral music. [03:22]Interested in more?Grab my free Film Scoring Guide for Directors ⁠⁠here⁠⁠ to see the exact approach I use to score films and give them a better shot at festivals.Podcast site: ⁠johnwiater.com/podcast⁠Instagram: ⁠⁠@composerjawn⁠⁠Book a free scoring consultation ⁠⁠here⁠⁠

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