Episode 36 is our enthusiastic conversation with Andrew Kershaw, founder of Queen Victoria’s Consort, and former principal tuba of Opera House in Santiago, Chile. We talk about ophicleides, tubas, and Queen Victoria’s Consort - a Victorian era brass ensemble performing period music on instruments from the Victorian era and in traditional Victorian dress while making the music and instruments exciting and engaging to the general public.You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected] in this episode comes from Our Musical Past from the Library of Congress, and Queen Victoria’s Consort.Episode Structure:3:23 - Andrew's musical background6:21 - How Andrew got interested and first involved with playing and studying historical instruments10:11 - Period instrument sound vs. modern instrument sound11:57 - Queen Victoria's Consort, formation, goals, performances16:00 - Repertoire and instrument evolution and selection24:58 - Queen Victoria's Consort instrumentation and instruments used28:43 - Thoughts on authenticity, appearance of the group33:50 - Highlighted instruments from Andrew's collection39:00 - How Andrew acquires instruments for his collection43:56 - Brief history of ophicleides, instrument development59:48 - Historic performers and their influence on instrument development1:21:26 - Where you can find more about Queen Victoria's Consort and their upcoming virtual concert

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