I'm sure you've heard it: For the past few months, the U.S. news media has been following the saga of pop star Britney Spears and the unusual conservatorship arrangement which prevents her from controlling her own finances or life decisions, put in place more than a decade ago after a very public breakdown. In June, Spears spoke out for the first time in court, asking for the conservatorship to be terminated.
What, you may ask, does this have to do with art? It turns out that long before the #FreeBritney movement had people poring over her Instagram for clues or the New York Times documentary 'Framing Britney' revisited what her story said about the media and misogyny, she's been a surprisingly potent symbol for artists—in fact, maybe more than any other recent pop star. They've used her image to talk about sexism, about fame, about consumerism, and about and about the dark side of the 2000s.
Why Britney in particular? And does today's reckoning with the recent past change the way that pop art takes on pop music? In this week’s episode, Artnet News’s Senior Writer, Sarah Cascone speaks to LA-based art journalist Janelle Zara about her artists' fascination with Britney Spears, asking these questions and a lot more.

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