In this episode, we speak to writer Jason Okundaye about his recent book, Revolutionary Acts. We discuss archives as living, moving things, and non-linearity as a mode of articulating queer Black histories. We think about the role of body language, tone of voice, feelings and vulnerabilities in the act of embodied transcription. We think about the notion of 'archival pleasure' and understanding the body and desire as sites of history. We discuss the necessity of oral histories being relational as opposed to extractive, and what it means to push against the 'deficit paradigm', recording stories of Black gay abundance, desire and celebration, as well as making space for mess and discomfort, refusing neat and simplistic narratives of unity within political activism.


Jason Okundaye was born to British-Nigerian parents in South London in 1997. He writes essays, features, and profiles on politics and culture for publications such as the Guardian, the London Review of Books, British Vogue, GQ, Vice, Dazed, and i-D. He also co-curates the digital archive
‘Black and Gay, Back in the Day’ documenting Black LGBT life in Britain since the 1970s. His first book, Revolutionary Acts, a social history of Black gay men in Britain, was shortlisted for the Orwell Prize in 2024.

References
Revolutionary Acts: Love & Brotherhood in Black Gay Britain by Jason Okundaye

Visit Storysmith for 10% discount on Jason's work.

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