What paints the scene for you? Do you often get carried away? How do we recall the mutable past? Is all implicitness context, time, politics, language, and subject dependent? Is our freest choice also controlled by culture? What makes something visible, sayable, perceivable, or (even) intuitive? Can the visual be more implicit than the textual? Is sound most implicit? Is our implicit explicit for ‘God’? Is architecture, being both symbolic and real, the language of the given? Is architecture mythical? How does the built form (say, the stage) reflect the natural world or the cosmology? Are airports non-places? How do the givens change (either dramatically or slightly)? How might tea be advertised? Does modernity reference only itself? Do you sell things off you do not use? Why can’t a performance be fully reproduced or archived or described? Do each one of us have our own implicit? Do we always create more implicit? Can Reason make everything explicit? Will we keep pursuing the promise of presence as we attempt to ‘leap’ forward? What do we want to be? SynTalk thinks about these & more questions using concepts from performance studies (Dr. Trina Nileena Banerjee, Centre for Studies in Social Sciences, Calcutta (CSSSC), Kolkata), semiotics & linguistics (Dr. Seema Khanwalkar, CEPT University, Ahmedabad), & art history / architecture (Dr. Venugopal Maddipati, Ambedkar University, New Delhi). Listen in...

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