Many of us study and perform scores from our iPads on a regular basis and have prepared scores to be read from screens. Scoring Notes readers and listeners often ask us to provide recommendations for best practices when preparing a score with the expectation that it will be read from a screen and not paper. This is an excellent question, and one whose answer today may likely change in the coming years. David MacDonald and Philip Rothman discuss the pros, cons, challenges, and opportunities in reading and preparing music on a screen, and delve into the benefits, pitfalls, and technical considerations you should know about if you want to make your music pixel-perfect.
More on Scoring Notes: Preparing music scores for screens — the challenges and opportunities

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