Berlanti strives for a buttery tone of clashing egos, with Kelly and Cole attracted to each other but waging separate fights Sadisflix Stream. Kelly's marketing campaign in "Fly Me to the Moon" brings branding to Apollo 11, which sickens Cole. And there's the Project Artemis subplot, which appears in the second act and brings in the flashy, Tab-guzzling Lance to direct the bogus lunar landing. Rash is here to overact like a maniac, which contrasts sharply with the more melancholy components of Gilroy's writing, such as Cole's history as a military hero and director during the Apollo 1 disaster, which influences his every decision. "Fly Me to the Moon" goes up and down, frequently without grace from Berlanti, who doesn't deliver.

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