This week I get into the strange linear narrative of Eudora Welty’s “A Worn Path,” not in the sort of high school New Critical way of x symbolizes y, but in the sense of episodic versus serial narrative structure.It’s a very strange story in a lot of ways because we have no idea where Phoenix Jackson is going or why she’s going there. And in fact when she arrives, she doesn’t know either. This story subverts narrative so thoroughly it’s almost like Tom Stoppard. Ooh, we should talk about R&G Are Dead at some point. And stories told from the other side in general.I discuss what makes us get and stay interested in a story with NO PLOT and see how I can apply that to other writing. Normally we assume the plot is what makes us stick around, but it sure isn’t in this case, since we don’t know what it could even be.Still one of my favorite stories, even if (or because) it’s so strange and in some ways baffling.

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