Mindell Dubansky, "A Parallel History of Books and Blooks," 2 June 2025

07/07/2025 1h 7min
Mindell Dubansky, "A Parallel History of Books and Blooks," 2 June 2025

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Episode Synopsis

This talk by Mindell Dubansky was part of Rare Book School's 2025 Summer Lecture Series. You can watch the full recording of the lecture on YouTube at https://youtu.be/SsTUbRhUYDs?feature=shared.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ง๐—ฎ๐—น๐—ธ:
Throughout the world, for hundreds of years, people have expressed themselves by making plain and decorated objects in imitation of specific titles and types of books. No genre of book or bookbinding has been ignored. Mindell Dubansky calls these objects ๐˜ฃ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด, a contraction of book-look. History has shown that infusing an object with bookish characteristics creates an emotional attachment to the object analogous to our feelings for a beloved or important book. This, in turn, increases our desire to own, share, and treasure our book-shaped objects. Love, friendship, humor, play, faith, enlightenment, and commemoration are all common and abiding themes of blooks. Dubanskyโ€™s lecture will touch on some of the areas in which real books and book-like objects most closely intersect. These include how the bookbinding trade was involved in making blooks, how blook-making followed publishing trends and popular titles, how disused books have historically been repurposed as blooks, and how the idea of the book has been translated into a myriad of unexpected objects by artists and inventors. Dubanskyโ€™s curated show on blooks for the Center for Book Arts in New York was profiled earlier this year by ๐˜›๐˜ฉ๐˜ฆ ๐˜•๐˜ฆ๐˜ธ ๐˜ ๐˜ฐ๐˜ณ๐˜ฌ ๐˜›๐˜ช๐˜ฎ๐˜ฆ๐˜ด: https://www.nytimes.com/.../review/bo....

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ฒ๐—ฟ:
Mindell Dubansky is Conservator at Watson Library, The Metropolitan Museum of Art, and the author of numerous books and exhibition catalogs on the book and paper arts. These include ๐˜›๐˜ฉ๐˜ฆ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜’๐˜ฆ๐˜ฑ๐˜ต ๐˜š๐˜ฆ๐˜ค๐˜ณ๐˜ฆ๐˜ต: 200 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜‰๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด (2025); ๐˜Œ๐˜ฎ๐˜ถ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด: ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ ๐˜–๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜บ๐˜ฏ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ณ๐˜ถ๐˜ค๐˜ฆ ๐˜๐˜ฆ๐˜ค๐˜ฌ๐˜ฎ๐˜ข๐˜ฏ ๐˜Ž๐˜ช๐˜ง๐˜ต (online catalog); ๐˜™๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ ๐˜”๐˜ฆ: ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ ๐˜Š๐˜ข๐˜ณ๐˜ท๐˜ฆ๐˜ฅ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ ๐˜‰๐˜ฆ๐˜ณ๐˜ฌ๐˜ฆ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ (2024); ๐˜—๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜๐˜ญ๐˜ฐ๐˜ธ: ๐˜ˆ ๐˜Ž๐˜ฐ๐˜ญ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜ˆ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ ๐˜‹๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜—๐˜ข๐˜ฑ๐˜ฆ๐˜ณ (2023); ๐˜‰๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด: ๐˜›๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด ๐˜›๐˜ฉ๐˜ข๐˜ต ๐˜ˆ๐˜ณ๐˜ฆ๐˜ฏ'๐˜ต (2016); and ๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ ๐˜‹๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜ด: ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜ช๐˜ง๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ญ๐˜ช๐˜ค๐˜ฆ ๐˜Š. ๐˜”๐˜ฐ๐˜ณ๐˜ด๐˜ฆ (2008). Dubansky's personal collection of book objects and her groundbreaking research on the subject have previously featured in exhibitions at the Grolier Club and Metropolitan Museum of Art, in publications including ๐˜›๐˜ฉ๐˜ฆ ๐˜•๐˜ฆ๐˜ธ ๐˜ ๐˜ฐ๐˜ณ๐˜ฌ ๐˜›๐˜ช๐˜ฎ๐˜ฆ๐˜ด, and on television shows such as CBS' ๐˜š๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜บ ๐˜”๐˜ฐ๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ. To facilitate research in the study of book objects, she has established the Blook Institute, a series of activities designed to promote the study of book objects, and their relation to book history, the book arts, material culture, and art history.

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