It would be no exaggeration to say that 33EMYBW is one of the most original club music producers we've heard in recent years. In addition to being a talented visual artist and a bass player in the experimental band Duck Fight Goose, her solo productions are a highlight of Shanghai’s bustling underground scene—home to forward-thinking artists like Tzusing, Osheyack, Swimful and Hyph11e—moving with their own rhythmic language. She has a lexicon of drum sounds borrowed from all over the world, including tablas, bongos and mallets. As 33EMYBW, she puts together strange, multi-limbed rhythms that bring to mind images of dancing spiders and insects, something she addressed directly on 2019's showstopping Arthropods LP, released on the influential SVBKVLT label. As she says in the interview below, you basically need more than two legs to dance to her music. Maybe even eight.

Her music deals with creatures that vary from the mythical to the everyday (her first album was called Golem). On her latest record Holes Of Sinian, also out on SVBKVLT, she imagines the mostly-unknown organisms from the recently discovered Ediacaran period. It's more esoteric, atmospheric and arguably even funkier than her previous work, with Marina Herlop on one hair-raising track that you can hear in a demo version on her RA Podcast. This mix is actually a version of her live set—a favourite at influential festivals like Unsound and CTM—featuring plenty of productions from across her career in mutated and improvisational forms. It's creepy, crawly and undeniably danceable. If you can keep up with it.

@33emybw

at https://ra.co/podcast/912

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