What is the state of the stream-of-gags formula that used to stand tall in the films of the Zucker Brothers (mainly Airplane) and Mel Brooks? A new generation attempts to revive that with a new Naked Gun film. How does this new effort relate to the classic films?
Are these kinds of films particularly timeless? Rewatchable? Do young people appreciate this kind of thing? Mark, Lawrence, Sarahlyn, and (for the third or so) Al speculate wildly as usual.
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