A few years ago, Audible asked me to be part of a test program for a children’s project they are working on. I was asked to preview and evaluate a new series of children’s stories that were episodic and designed in the style of radio-theatre. As I listened, I was absolutely disgusted. Drawing on the premise of a fairy tale, their program included a short story that sounded an awful lot like Jack and the Beanstalk, except that the main characters were three sisters. In this “new fairy tale,” the sisters escape a giant, save a king, and do all of the things that modernity has taught us girls should do. This program was trying to convince their young listeners that young girls are smarter than kings, craftier than giants, and rescuers of fellow women who are stuck in abusive relationships with ogres. There wasn’t a worthy boy or man in the story. Oh, and, the kids are always smarter and better than all of the adults, of course.
In Dandelion Fire, we have the antidote to this poison. In the first book of the Cupboards trilogy, Henry doesn’t know who he belongs to or where he fits. In this middle book, we spend far more time inside the worlds within the cupboards. We meet Henry’s family, we discover new evil, and we spend a lot of time laughing at bureaucratic faeries. 

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