It’s one of the most delicate questions in songwriting. Do we add a bridge to our songs? Do they need that little bit of variation, those different chords, that rising melody? Michael takes a deep dive into the question of when a bridge is necessary; when it isn’t; and do they really have to sit two-thirds of the way through the song every time? He discusses a few of his songs and how he employed bridges in them, using them to transport the listener to somewhere new.

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