Conceptions of our collective relationship to the Australian landscape have undergone transformative renovations in recent memory. The prioritisation of Australian Aboriginal and Torres Strait Islander peoples in ecological discourse has raised an awareness to First Nations people’s connection to Country.

Drawing on the contemplative lightscape by Jazz Money, a yarning circle took place that considers how we can preserve the ecological, socio-spatial, political, ceremonial, and cultural significance of Australia’s traditional Waterways, and investigate how we can integrate these into the decolonisation and de-westernisation of design and space creation.

This event was been developed as part of the M_Curators, an MPavilion program engaging young makers, doers and programmers.

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