In this chapter, Juniper grapples with the fallout of his professional and personal decisions as he works tirelessly to refine his miniature exhibition of It’s a Wonderful Life at the Jimmy Stewart Museum. ​ Despite receiving mixed reviews from the preview audience, major publications praise his work, highlighting its potential while noting areas for improvement. ​ Juniper realizes the importance of adding iconic elements, such as snowfall and George Bailey’s rescue of Clarence, to meet audience expectations. ​As he pushes forward, Juniper faces mounting tension in his marriage with Leonder, who has left for the holiday, frustrated by his prioritization of work over their relationship. ​ He reflects on his choices, questioning his ego and motivations, while drawing parallels between his own struggles and George Bailey’s selflessness in the film. ​Juniper collaborates with scenic designers and receives support from Sayre, a former rival turned ally, to address technical challenges like creating realistic water effects and programming the figures for the rescue scene. Despite his exhaustion, he attends Thanksgiving dinner at Faye’s house, where he briefly finds solace but remains haunted by his marital issues.The chapter ends with Juniper testing the updated layout, contemplating the meaning of Auld Lang Syne, and seeking a path forward—both for the exhibition and his fractured relationship. ​ The snow falls on Bedford Falls, symbolizing the emotional weight of his choices and the hope for redemption.

Ver todos los episodios