Mary Poppins and Pennywise are not opposites—they’re the same creature. It doesn’t visit. It selects. It waits until a home goes quiet, until the surviving parent stops checking in, until the hallway light has burned too many nights in a row. Then it arrives, in a form the child will not question—a perfect nanny, or a clown with a crooked grin. It speaks only to the child, knows their name without being told, and leaves before anyone can ask where it came from. Some children grow quiet. Others disappear. The stories change. The face does not. From 1956 London to 1989 Maine, the accounts match. It isn’t good. It isn’t evil. It just waits.

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