What if robots generate all possible art? Does this generated content infringe copyrights on the earlier works created by humans? And will the works, created by humans after this point in history, be protected?   To answer these questions, we look at the story of All the Music Project with the help of Damien Riehl. Tune in! Key moments:00:00 - Go!00:50 - All the Music Project02:34 - Damien Riehl on the problem of proving parallel independent creation04:33 - Damien Riehl on the possibility to generate all music07:36 - All the Music project isn't going to destroy copyright08:12 - How All the Music project impacted on legal practice12:20 - Copyright to something already generated by a robot before  15:17 - Copyright to 4D and 5D works17:12 - Copyright to modern art18:46 - Conclusions Video:https://youtu.be/-TugnH892SQ

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