A Prescott Broadcast of Art, History, and Humor The Kid Who Started It All Bob Boze Bell’s lifelong passion for Western art began when he was nine years old—his first drawing was of none other than Billy the Kid, inspired by stories from his grandmother in the bootheel of New Mexico. “She told me we were related to outlaws,” he laughed. “That’ll light a fire in any young boy’s imagination.” Decades later, that spark became a calling. After a Christmas gift—The Saga of Billy the Kid—rekindled his fascination, Bell realized, “I was born to do this.” From that epiphany came his first book, The Illustrated Life and Times of Billy the Kid, and ultimately, a lifetime interpreting the West’s colorful contradictions through pen and paint. From Cave Creek to the Museum Walls Today, Bob’s work hangs proudly in two Arizona exhibitions. At Western Spirit: Scottsdale’s Museum of the West, his collaboration with artists Tom Ross and Buckeye Blake is titled The Resurrection of Billy the Kid—a renegade show as unconventional as its subject. “It’s in a hallway,” Bob said, laughing, “which gives it just the right touch of outlaw mischief.” From Blake’s haunting sculpture of the slain Kid to Ross’s whimsical reinterpretations and Bell’s classic illustrations, the exhibit captures both the myth and the man. “It’s history, it’s humor, and it’s humanity,” Bell noted. “You walk away saying, ‘Ye gods—look at who we are.’” Prescott’s Turn: Bringing Doc Home Meanwhile, at Sharlot Hall Museum, a new show titled Bringing Doc and the Earps Home to Prescott explores another side of Western lore. Co-created by Bob Boze Bell and Tom Ross, the exhibit reimagines Doc Holliday and Wyatt Earp’s brief but significant time in Prescott before their fateful journey to Tombstone. Through vivid art and newly uncovered research—thanks to local historian Brad Courtney—the show brings to life Doc’s time boarding with Arizona’s acting governor, his connection to Big Nose Kate, and the early echoes of the gunfight at the O.K. Corral. “History is like a ping-pong ball—it just keeps clanging back and forth between people, places, and generations,” Bell mused. Family Names, Frontier Spirits, and Rock ’n’ Roll Drums The episode sparkles with humor and heart. Between stories of art and ancestry, Bell riffs on family nicknames, outlaw relatives, and his rock ’n’ roll detours. “I got distracted by girls and drums,” he admitted, “but Billy the Kid never really left me.” Rosebrook and Bell share an easy camaraderie, weaving in anecdotes about Western heroes, museums, and the enduring allure of names like Wyatt, Doc, and Geronimo. “They just resonate,” said Rosebrook, “they ring forward through time.” Things to Remember • Art tells stories that history books can’t. Bell’s paintings and Ross’s interpretations turn myths into mirrors of modern identity. • The West wasn’t just wild—it was deeply human. Behind the gunfights and legends were friendships, regrets, and moments of grace. • Museums keep the story alive. Both Scottsdale’s Western Spirit and Prescott’s Sharlot Hall Museum remind us that our past is worth seeing, hearing, and reimagining. Take Note and Share Tell someone about Billy the Kid’s unlikely artistic afterlife—or about Doc Holliday’s tearful moment of remorse, seldom told in the movies. Visit the exhibits if you can, or explore True West Magazine to dive deeper into the stories that shaped the Southwest. Things to Think About Every legend is a mirror. What do these stories reveal about us—our fascination with heroes, our tolerance for rebels, and our hunger for meaning in a rough-edged world? As Rosebrook closed the program, he left listeners with this truth: “There’s always something new to learn about the past—and something in the past to teach us how to live today.”

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