MASTER LISTS FOR WRITERS (Bryn Donovan)
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These are takeaways from this book.
Firstly, Thesaurus Style Lists That Improve Precision and Voice, A core value of the book is its collection of word and phrase lists that act like a writer focused thesaurus. Instead of only offering synonyms, the lists push you toward specificity, tone, and intention. When a draft leans on repeated words or generic description, a curated set of alternatives can help you choose language that better matches character perspective and genre expectations. The book encourages you to treat word choice as a storytelling tool, not merely a cosmetic upgrade. A sharper verb can make action more immediate, and a more exact adjective can reveal attitude, class, or emotional state. These lists can also reduce the time spent searching online or paging through general reference books by keeping options in one place. Another advantage is that word banks can help maintain consistency of voice across a manuscript: if you know your narrator is lyrical, blunt, academic, or comedic, you can pick language that supports that style. Used wisely, the lists support originality by offering possibilities, while still requiring you to choose what fits the scene rather than forcing a single correct answer.
Secondly, Plot and Conflict Builders for Stronger Story Momentum, The book functions as a brainstorming engine for plot, especially when a writer knows the direction of the story but needs intermediate steps that create momentum. Lists related to plot events, complications, turning points, and stakes can help you design scenes that do more than fill space between major beats. By scanning options, you can quickly test different kinds of conflict, such as interpersonal tension, external obstacles, moral dilemmas, time pressure, or escalating consequences. This approach supports a key principle of engaging fiction: characters must want something, and the story must continually make that want harder to achieve. The book also helps with pacing decisions by giving you tools to vary the intensity of scenes, alternate between action and aftermath, and introduce reversals that keep readers curious. For writers who outline, the lists can provide menu like choices to strengthen a synopsis or beat sheet. For discovery writers, they can offer a way out of a dead end by suggesting believable disruptions and new goals. The result is a more dynamic plot that keeps pressure on the protagonist and rewards the reader with forward movement.
Thirdly, Character Traits, Flaws, and Motivation as Story Engines, Another major strength is its emphasis on characters as the drivers of plot rather than decorations around it. Lists of traits, flaws, habits, fears, desires, and emotional reactions help writers build characters who feel distinct and whose choices create believable consequences. Instead of treating personality as a static label, the book supports thinking in terms of behavior: how a trait shows up under stress, how a flaw triggers conflict, and how motivation shapes decision making. This is useful during both drafting and revision. In early stages, you can select a few defining qualities...

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